(dramatic music)
(WW mm»
- I'm no doctor but if I don't call an ambulance,
you're gonna die aren't you'?
Is anyone gonna miss you'?
Anyone back at home'?
Is there a parent or a friend or,
a partner or,
a dog'?
Somebody's who's gonna miss you when you're gone'?
They did.
(dramatic music)
There's a lot of people who are gonna miss them.
- So call an ambulance.
Now.
- What is it about me, that people
think they can just push me around'?
(WW mm»
You're lying here,
bleeding to death.
You're not in charge here.
All of this.
This shit.
I was just trying to make a difference.
Qkay-
Natalie Pavvlikovvska,
had a sister,
who was abducted a few months ago back in Amsterdam
by the the Brigada Serbilu.
Where is she'?
- I think I know.
The name's of all the girls
And where they are.
I do my job.
- Cristina Pavvlikovvska.
She was 15 years old.
Here, Natalie sent me a photo so I knew
who it was we were saving.
Have a look at her.
That is the 15 year old girl that your fellow pieces of shit
took from her home in order to sell.
(NB mm»
And you're telling me you've got no idea who that is'?
- Dragomir, maybe he would know.
He was in charge of the younger girls back then,
before he went and bought himself a pair of tits.
- Dragornir Zelincu'?
- Kim.
He calls himself now Kim Vogel.
- Kim'?
That woman.
You're telling rne she use to be Dragornir Zelincu'?
Are you joking?
- This was years ago.
Wham v
Constantin wanted to keep things more separate.
And he brought in someone new to run this side of things.
- And who was that'?
=-|]“it.
Ask Constantin.
- I can't ask Constantin 'cause Constantin's dead.
(NB mm»
So you are the only one left who can tell me anything, Nicolai.
- And you will have to ask Dragomir.
Kim.
Because I've told you what I know.
- You've told me nothing.
- It's all I have.
Now you decide.
Mm?
(dramatic music)
<( mm)
(doorbell buzzing)
mm?»
- lvlartha! - She's not here.
(phone ringing)
Still not answering?
- No.
- Oh, we'll talk to her tomorrow at station.
- No, no.
I must talk to Martha tonight.
- And you think she's just gonna confess.
Come on, let's go home and get some sleep.
- I cannot sleep until I speak with her.
If she is the reason Edward Strattolfs ex-vvife
and our partner are dead, then so am I.
- You couldn't have known.
Calling her again is not going to make any difference.
- It's not Martha I'm calling.
<( mm)
(door closes)
<( mm)
(footsteps crushing terrain)
<( mm)
(overlapping conversations)
=. MW,
Hello.
- What are you doing here'?
- Urn, I'm sorry, I tried to call but no answer.
They said at the station this was the place
people come after being on shift.
- So you decided tonight's the perfect time
for a heart to heart?
And you brought her along'?
- I would like to have a chance for the two of us to talk
but uh, properly, hrnm'?
Firm?
- That's not much to say, is there.
I mean, I'm 32 years old.
I think I'm fine without another dad.
Yeah.
Mr. Baptiste is my father.
So cancer, the father I never knew.
The soap opera of my life, just needs an evil twin, huh'?
- I'm sorry, I had no idea any more than you did.
- VVell there it is.
So that's that so if you're not here
for a family reunion, what'?
- Where's your mother'?
- Ask her.
- I tried to call, I cannot reach her.
- You came all the way here.
You track me down after my shift to ask me this'?
WW'?
- Edward Strattolfs ex-vvife and our partner,
were killed tonight in England.
No one could have known where they were.
Except I received a call when I was there.
A call that could have been traced
and the location reported to the Brigada Serbilu.
And that call was from your mother.
(Nbflg )
- You think my,
you think she's informing? (laughing)
Oh wow.
- Is it so impossible?
- That my mother is working with a Romanian guy'?
Yeah. yeah.
Yeah, well that's low down on the list of things
I'm prepared to believe.
- Look Niels, we just wanna find out where she is.
We just wanna talk with her.
- Sure, fine.
I mean, no one will set you straight quicker than my mum.
But if I tell you, you'll leave me alone.
Okay'? - Of course.
- She's at yoga.
She gets a out at eight, 23 Hulsestraat.
- Look, I'm sorry to have come here like this.
I wish, under other circumstances.
- Yeah, sure.
Take me fishing some other time, huh, dad.
(glass clinks)
- [Martha] What are you doing here'?
- Niels told us where to find you.
- [Martha] Yea h'?
- Edward Strattolfs ex-vvife and our new partner,
are dead, they were killed just a few hours ago.
- Jesus.
VVhere were they'?
- In the UK.
A caravan park paid for in cash.
There was no way
the Brigada Serbilu could have followed them.
- Yet they did.
I'll talk with public yard
and see what information they have.
- Martha'?
- (sighs) You came here to say something to me.
Say it.
- You're working with them.
- (laughing) You caught me.
Please let me ring my lawyer.
- I received just one call when I was in England,
with Mr. Stratton, it was from you.
Did you trace that call and tell the Brigada Serbilu'?
- How'd you know they didn't
find Mr. Stratton some other way'?
- The man who killed his ex and her new partner,
was called Nicolae Vasil.
Nicolae arrived in England just a few hours
after your call with me.
- He worked with Constantin Baracu.
You're the one who had Constantin killed, aren't you'?
- This is getting better.
- You're the only one who knew vve offered him a deal.
Then he turns up dead.
You didn't want him revealing your connection.
- Oh wow, I had some good times
with my Romanian gang friends
but I can see you know everything, so urn, yeah.
I confess.
- You think this is funny'?
- I think this is fucking ridiculous.
=- cm
is making progress in every country we're operating in.
Everywhere except here in the Netherlands.
Our Amsterdam department especially.
Now, I know why.
- I've worked my whole for this department.
You think all this time I've also been secretly working
for a Romanian gang, really. (laughing)
I can't work you out.
Can"
Or both'?
- You're leaving the job.
And not because you want to.
They are pushing you out.
So this is your payback.
Cash in on your way out.
- This doesn't make sense.
Really Julien, why would I even put you onto this case'?
- Because the Brigada want that money back.
Because perhaps, you knew I would find it.
You approved of my search, you urged me.
- You cannot believe it.
- I do not know what to believe.
- Yeah, vvell then I'm sad for you because it seerns
your mind is truly not what it was.
- We'll find out, we'll call the phone company.
- It's easier if you just talk now.
Explain your side of things.
- I have nothing to explain, get your damn warrant.
Get out of my way.
(dramatic music)
_ Se?
- What?
- Do you believe her'?
- I want to.
- That's not what I asked.
- Doesn't matter what I believe.
VVhafs it important is that vve follow evidence, no'?
- There's something else.
=- William] Mum?
- I don't know, I think I can tell now,
when you're not sharing everything with me.
- But it's nothing, just a notion, nothing more.
- So tell me.
- I have no evidence for this but uh,
given that it's our job to consider everything.
(loud crashing) (Genevieve yelling)
(tyres screeching) (car alarm sirening)
Are you okay'?
Down!
Down, down! (Genevieve yelling)
(gun bangs) (tyres screeching)
(Genevieve panting)
(gun bangs)
(fiywcag mm»
- Hi, I need an Amsterdam squad car right now.
(gun bangs) We're under fire.
Repeat, we are under fire!
(car engine revving) (tyres screeching)
(gun bangs)
Oh no, no, watch out!
- I see, I see! (tyres screeching)
(garbage cans banging)
- I'll leave my phone on so you can trace it.
(tyres screeching) (dramatic music)
(laboured breathing)
(car engine humming)
No, no, no, don't, don't, go.
Ivlove back, move back, move back!
(car engine revving)
(gun bangs)
(tyres screeching)
(gun bangs)
(tyres screeching) (dramatic music)
(car horn honking)
=-“it.“it.“it.
(car horn honking)
(gun bangs) (Genevieve yelling)
- Patrol, we see you, we can see you.
(tyres screeching) No, no, no.
<( WEEK)»
(tyres squealing) (dramatic music)
<( mug wtamimj)
(QE breathing
- Did you get the licence plate'?
- Yeah.
- [Julien] Ah.
- For all the good it will do.
(mum maxim-Ines»
Sorry, you were saying something before we were--
- Did I'? - Interrupted.
(both laughing)
- Oh my God.
(both laughing)
(emergency sirens)
- My name is Edward Stratton.
My ex-vvife Clare Evans is dead.
She was stabbed with her partner.
They're both.
No, they've been killed.
They are at Blake's Caravan Park, 23 lffy Road.
Along with another man.
It was.
Edward Stratton.
I just told you my name is Edward Stratton.
No, I'm not still there.
Yeah, I understand that.
And I'm gonna come back and explain everything to you.
E I] . mm)
You have my number, you have my name.
You can come and find me if I don't.
No, I didn't hurt them.
Because it's complicated okay.
Because I have to do something else first.
Just get there.
- [VVoman On Airport PA] Final call.
Flight YB1 22 to Amsterdam.
- [Genevieve] God knows how long
they've been following us for.
- We've been lucky this time, I think.
The, the car came right after we saw lvlartha, yeah'?
- The amount of cameras in Amsterdam, we'll ID him somehow.
- Cameras.
- Yeah, what'?
- I'll tell you on the way.
<( mm)
(door slams)
(engine humming)
(door slams)
- (scoff) Is he even in'?
The place looks dead. - Yeah.
This man is not, I think, blessed with a social life.
<( mm)
<( amines»
Mr. Visser!
(light switch clicking)
(meal mm»
- What do you want'?
- To talk.
- L, I, I'm busy sleep.
- No choice, I'm afraid.
Excuse me.
Mm)
- Did you do as I asked'?
=- Ya mesh ma @{? .
L, I threw it all away just like you asked me.
- All of it'?
- Yes, the hard drives, the monitors, everything.
L, I can show you.
(bag slams)
Uh, there.
- Oh.
VVell, you wanna go through this'?
Is it really work it'?
- VVhafs the phrase?
It's a filthy job, but someone must perform it huh'?
- (laughs) Yeah, something like that.
Mm)
fimflfim MW,
=- [mil HE.
- I was hoping to find Kim.
- You didn't hear'?
- No, what'?
It's disgusting.
- Ah.
- [VVoman] She was a good person.
- Yeah.
- Good people don't deserve these things.
- No. - Nor did Greg.
- VVho's Greg'?
- Her boyfriend.
- Ah yeah.
- How did you say you knew Kim'?
- Ivlutual friends.
Is Greg here'?
- He's upstairs, in their flat.
= Right.
Wm >
(QE breathing mm)
- I'm Edward
- I know you.
Haw.
At the cafe'.
You knew Kim.
- Yeah, I was there but I didn't know her.
Not really.
I'm sorry she's gone.
I should probably tell you who I am.
Everything I've been through.
You wouldn't believe it.
- My capacity for believing in things
I didn't think possible has recently expanded. (scoffs)
Did you know'?
Figures.
Figures that the guy asking to marry her every five minutes
would be the last to find out.
- VVell, when I met her I had no idea if it's worth anything.
- Only one thing worth anything.
She's gone.
Sorry, what was it'?
What was it you wanted again'?
- VVell, I'm not sure you can help but,
I was hoping Kim might have said something
about her her life as Dragornir Zelincu.
You see, I'm looking for--
- You want to know about Dragomir.
That's him.
- What's inside'?
- Take a look if you want'?
- Are you sure'? - Be my guest.
Tell me what's inside.
I can't, I just.
I just can't.
<( mm)
He was a bad person, wasn't he'?
Znammw.
- Yeah.
- Except the woman that I knew,
she wanted to help people.
I think the person who killed her,
I think they did it
because she was standing up for the girls.
For the things she believed in.
That's who I fell in love with.
- Sorry, I was...
you ever wonder why she left you all this stuff'?
- She wanted rne to know who she was, I guess.
- Yeah, maybe.
But maybe it's more than that.
This is full of names, dates, transactions.
Everything Dragornir Zelincu did for the Brigada Serbilu.
It's like an insurance policy.
- What?
- From what I've learned,
you can't just leave an organisation
mm.
And if you did, you certainly couldn't hang
around the place where did all the work for them.
Unless you had evidence.
Everything you've done for them and then it's,
mutually assured destruction, isn't it'?
You come after me, I'll hand this lot to the police.
- [Greg] That was in the box that has my name on it.
What do you think it is'?
- Not sure.
(electric whirring) - It still works.
- Okay-
So uh, I saw when I was here,
you had a camera at the nearby petrol station
in the men's bathroom.
Gm ~ WW“
- I need footage from that day and before I oarne to see you.
- So what are you thinking?
- VVell, he seemed angry when he came in.
He was on the phone and then he left right away.
He said it was important.
But I wondered, even then,
why would he come all this way with me,
help find the money and turn around so fast.
- [Bram] Here.
= Fwd].
Between this and the car, coming for us,
so soon after our conversation with Manna.
Yeah.
- Constantin? (dramatic music)
- Christ, he was on the phone during the whole fucking time.
- Oh Dear. - Yeah, no, wait.
I'm out, I'm um, I'm with Baptiste.
We're very dose to the money now.
Yeah, yeah, you're right.
We need to deal with that bitch.
Okay, I'm coming back.
I'll make my excuses, I'll be back,
so just, yeah, okay.
Okay, [33/9, Yep-
(faint talking on video)
- (sighing) Shortly after he returned, Kim died.
Ivlaybe he did it himself or paid someone else to do it.
Then he traced Edward Strattolfs location
by using his mum's phone.
<( mm)
You were right.
<( gram playing
=m1m.
= T.
Wm , mm; (m.
I use to play this as a kid.
Graphics really were shit back then, weren't they'?
- Yeah, I got that new VR thing.
- It's gonna look like this in two years, no'?
- I hope not, cost me a shit-ton.
- VVoe, woe, woe.
I still remember this bit.
I always find it hard, this bit, come on fuckers.
Come on, come on, come on. (gun bangs)
Fuck. (scoffs) (machine bangs)
- The Frenchmen and the Europol lady, they uh,
WWW,
- (sighing) Shit Toma.
They have to stop looking at us.
It's as simple as that Toma.
- They're police offers, just like you.
You should know better than anyone else,
what happens to people that kill police officers.
- There are two options here.
Get this thing done, then we kick back
and bask in the glow of a job well done.
Or we start going to the gym,
'cause that's the only thing that's gonna keep you safe
when you're stuck in prison for the rest of your life.
This is it Toma.
This is where you see if you have the,
ma.
Now get your shit together.
<( mm)
(doorbell buzzing)
- Hi, may we come in'?
- What time do you call this'?
= u
<( mm)
- [Genevieve] Thanks.
- Are you here to arrest me, old friend?
- No, not tonight lvlartha.
- What is it, I know that face.
- It's your son, Niels.
Our son.
I found evidence of his connection
itcaffinaa.
Video camera footage of him talking to Constantin.
- He said we need to deal with that bitch.
I think he was talking about Kim Vogel.
Thought we'd like to take a look inside his house.
I thought you might have the key.
- Okay, wait.
You think he was talking about Kim.
So what do you know'?
Do you actually have any proof'?
I assume not or you would be at the courts
getfmg a warrant.
- Did Niels know you called me'?
And where I was'?
- (scoffs) I was in the office.
Several people could have heard me.
_ So.
L-le did, didn't he'?
- Look, vve saw hirn earlier and he's not at home tonight.
And if he hasn't done anything wrong,
you've got nothing to worry about.
- (laughing) It wouldn't be the first time
you've made a mistake.
- No, it wouldn't.
VVouldn't be the first time I've been right, either.
- I do not like this any more than you do, lvlartha.
But you know we cannot simply ignore this.
(dramatic music)
(car alarm beeps)
(dramatic music)
- It's up there, number eight.
- You're not coming'?
- I don't wanna be a part of this.
- I hope for both of us that we find nothing.
(dramatic music)
- Why did you guys break up'?
You and Martha.
Oh, you don't have to answer.
- No, it's uh, it's okay, urn.
I was afraid, I suppose.
I loved her very much but uh,
I was not ready for it.
- VVell, that was very wise of you.
- It can be dangerous to fall in love
but if you never do, you'll never know.
I'm lucky, I had a second chance.
It's uh,
it's like flying. (laughing)
- What, your imminent death?
- You shouldn't be afraid to fall Genevieve.
- I did.
It's not what it's cracked up to be.
(dramatic music)
= (Genevieve
- Yeah.
<( mm)
- Martha!
(dramatic music)
She's warning him.
(dramatic music)
Martha!
Put the phone down!
(dramatic music)
Nbflé»?
- So, you found me.
I figured, before when you came to see me,
it was all just a matter of time before you came
limping to my door.
- The things you've done, you swine.
You're a police officer, you're suppose to proteot people
not use your position to line your own pocket.
- Spare me what you think of me.
Spare me your judgements.
You, you, you think things are all so cut and dry.
These things happen.
VVith or without me.
- Come in, talk to us.
- What. (laughing)
v mm
- The path which lies ahead of you is no life,
it's a dead end.
- VVell the path you are proposing is no better,
I'm sure you'd agree.
Does it bother you that your ovvn flesh and blood
can be one of the so-called monsters you spent
your whole life chasing after, huh'?
I bet it does.
I bet it's eating you alive.
- I don't care who you are.
I care about the things you've done.
- Woe.
Oh, so that's what you are now.
A hero.
People have died because of you Julien.
Natalie, Edward Strattolfs wife and her husband.
- These people died because of you Niels.
You lied to yourself enough,
you end up exactly where you, running.
- VVell, so be it.
Those are the cards I've been dealt.
- [Julien] I will find you.
- (scoffs) No you vvon.t
(dramatic music)
- You know what you've done here'?
- He's all I have left.
(dramatic music)
(emergency sirens)
- All ports are being alerted.
He can't escape.
(dramatic music)
(Genevieve sighs)
Wbwifimti] him.
- Yeah, perhaps.
Although I know from experience that finding someone
who doesn't wish to be found is, well.
At least now we know.
- I'll see you later.
I'll call you if there's anything.
(door slams)
<( mm)
(phone buzzing)
- Edward'?
<( mm)
<( wig)
<( mm)
=. MW,
You look oold Edward.
- I am.
My wife's coat doesn't really fit me.
- I'm so sorry for what you've suffered.
- Yeah.
Yeah.
- I'm surprised that you came back here
after all that happened.
- VVell I couldn't stand to think
that it had all been for nothing, you know.
Thought I'd be somewhat still able to help Cristina.
'Cause that's how it all started, you know.
Just trying to bloody help.
- And uh, you said, on the phone that you'd found something.
=- I] ycssahv I].
I went to see Greg lvliles,
Kim VogeFs partner, or rather Dragornir Zelincds.
- What brought you to him'?
=- [N]. =- Hmmm mm.
(30 on.
- VVell Greg has a box of her things.
Everything about Dragornir Zelincu
and there were also these numbers.
Most of them are phone numbers.
I tried calling them, a couple went straight to voice mail,
recording replies, rnost of their line vvere dead.
But there are thee other numbers here.
And they're coordinates, I think.
I mean the dots are in the right place,
if you were trying to write them latitude and longitudes,
using degrees and decimal minutes.
My mum was a geography teacher.
Anyway, I don't know what's there.
I don't know what it means.
But I thought that you should have it.
- Thank you.
I'll make sure Europol sees this.
- Thank you Julien.
- You should go home.
- I don't know where home is, really.
(bag drops)
<( mm)
(Genevieve heavily sighs)
<( mm)
(Genevieve heavily sighs)
(dramatic music)
(Genevieve heavily sighs)
(doors slides, locks)
(phone buzzing)
- Michael?
Qkay-
No, wait, slow down, slow down.
Start from the beginning.
(door slams) (insects chirping)
(phone buzzing)
- Hello'? - Julien, it's me.
I just had a call from Michael Latif,
he's one of ours out in the remaining taskforce
cm.
- [Julien] Okay'?
- He just got word from one of his men out of in Bucharest.
Now Niels Horchnefis name's out there,
it's all anyone is talking about.
- What are they saying?
- (sighs) Niels and Constantine's whole side of the operation
in the Netherlands has been cut off.
Seems like the Serbilu Brothers aren't best pleased
with all the attention this has brought.
- What does that mean for Niels'?
- They just want him gone, now.
They've got a number on his head.
- I hope vve find him before they do.
So urn, we are safe'?
- Yeah.
VVeTe safe. (Celia sighs)
- You should know,
Edward Stratton and I, we met tonight.
He's found something.
Numbers.
He believes them to be some kind of coordinates.
They were found in Kim VogeFs possessions.
- Okay-
We'll looking into it.
You should see your family.
Have a night off.
You deserve it.
- Thank you.
I hope you do too.
- Urn, I doubt it.
I need to find Niels.
There's no telling what he can give us
on the operation out in Bucharest.
You know, no one even knows what Vasil Serbilu looks like.
He could help us even in the smallest way and--
- Okay, I understand.
Good night, Genevieve.
- Good night, Julien. (sighs)
It's been a pleasure.
- Also for me.
Mm)
- Please tell me, I get to sleep in my own bed again'?
- You get to sleep on your own bed again.
(both la ugh8)
As long as I can join you.
Mm)
(birds squawking)
'splashing
=. MW,
Why did you want to meet here'?
- (laughs) My dad used to like it down here.
He liked collecting the shells.
When Lucy was young,
sometimes he use to bring her down here.
'Splashing
She'd watch him collect 'em.
I never understood why he did it. (laughs)
Every morning, he'd do exactly the same thing.
He'd get up, come down to the beach,
trifle through millions of stones and shells
and take a few home.
Trophies, I suppose.
Trophies, to line up on the mantelpiece.
- Edward, people who collect things
the way your father collected shells,
I often think, they are looking for order in their lives.
To take a piece of the world.
Label it, find a place for it.
As if we could control our lives the same way.
Perhaps, you could use some order in your life, Edward.
A frame for your day.
Something to make sense of the picture.
Perhaps, your father could teach you something
in all of this.
- Maybe.
'Splashing
So go on, then.
Tell me what was in those numbers
vve found all those weeks ago.
Did you find Cristina?
(metal slams) - Go, go, go!
Jump in there, jump in there.
(mil
(explosion blast)
(overlapping yelling from squad)
(body slamming)
(man speaking in foreign language)
(machine whirring over metal)
(overlapping yelling from squad)
- [Police Officer] All clear!
(overlapping yelling from squad)
(dramatic music)
- [Police Officer] Police.
Here, here, here, here, here.
(overlapping yelling from squad)
(people speaking in foreign language)
- [Police] VVeTe police, come you're safe.
- [Second Police] Grab my hand, come with us.
- [Police] Come, g0, g0-
Here some. now go.
(faint talking from police)
- [Second Police] VVeTe police.
(dramatic music)
(man speaking in foreign language)
(rapid dramatic music)
<( mm) <( gram)
<( mm)
- VVeTe looking for a Cristina Pavrikovvska.
- Yes, I knew her.
- Where is she now'?
- She's gone.
- Where'?
- I do not know where to.
I know how much she cost though.
750 euros.
- There are many girls like her.
And will continue to be unfortunately.
- God, when does it end'?
- It doesn't end.
Human nature will not allow it, it seems.
'Splashing
- I went to two funerals the other week.
Claires and Karl's.
Made me physically sick being there.
I repulse myself.
- You cannot carry this burden alone, Edward.
Emma“
Just three days ago, I went to a funeral myself.
This case has brought so much tragedy in its wake.
So much waste.
<( Mme»
(fire blazing) (crowds cheering)
mm) <( Mme»
(Martha grunts)
(woman speaking foreign language)
(dramatic music)
- Niels'?
(dramatic music)
=ENB©I§II [HIE mm.
(crowds cheering)
(dramatic music) (overlapping talking)
(dramatic music)
(Martha yells) (gun bangs)
(crowd screams) (gun ba ngs)
- Niels, Niels!
(emergency siren)
<( {Emmy >
Niels, do not make this any worse than it is.
- How would you know how bad it is'?
- She's your mother.
- And you are my father!
But what does that mean'?
What does any of it mean'?
- It means, you're not alone.
We can resolve this.
- You expect rne to believe that'?
I've been in your shoes.
- Then you know, how it ends, how it has to end!
- Ivlartha, no!
(dramatic music) (gun bangs)
" No!
(gun bangs)
(dramatic music)
(Ntkdlg gunmen»
- Ah. - Stay still please.
Stay still please!
(dramatic music)
= Ah. <( mm)
- Niels was not allowed to attend his mother's funeral.
Martha's sister refused.
And now our son will die in jail but,
his true punishment is to live with what he's done.
Any way the wind blows, still the world turns.
Mm)
(lip smacks)
- Good bye, my love.
(dramatic music)
Um.
You won't see me around here anymore, Ines.
For what it's worth,
the way you hate me,
is nothing compared to the hate I have for myself.
So-
Wm.
- 1 O0 Years of Solitude.
Gs: Garcia Ma
He read half of it on holiday a few years ago.
Never finished it.
Always said he kept meaning to.
Maybe, you, could finish reading it to him.
Mm)
(dramatic music)
- Every shell on this beach came from somewhere.
Each one has a story to tell.
It was something once.
It has now become something else.
(steam blowing) (dramatic music)
What might seem like a broken or empty thing
can take on a new life of its own.
Even if that life has now become twisted and cracked,
still we move forward,
still we evolve, no'?
We stumble and fall.
We pick ourselves up and we move on.
Mm)
(dramatic music)
(leaves falling)
VVell I hope, Edward, that through this nightmare,
perhaps it is that you found something else.
Perhaps, you will become something new.
- Fucking well hope so.
'Splashing
So what about you Julien'?
What are you gonna do now'?
Are you gonna retire at last'? (laughing)
mm)
- I think it's about to rain.
Mm)
(dramatic music)